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kyusanglee Information
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2023
Exhibitions
LL Interspace: HOTPOT
Galerie KUB
2023
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Ketterer Kunst
2023
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Table of Contents
Bistro 21
2022
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Just Rolllllll
documenta fifteen
2021
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Between Strangers
Nuweland Gallery
2021
Exhibitions
Investec Cape Town Art Fair 2021
CTICC
2021
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11:11
Eclectica Contemporary
2020
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Peepshow
Online
2022
Exhibitions
Neighbours / Des Voisin.e.s
Cité Falguière
2020
Exhibitions
Art Rotterdam
Rotterdam
2019
Exhibitions
Satellites
Suburbia Contemporary
2019
Exhibitions
Investec Cape Town Art Fair 2019: SOLO Section
CTICC
2019
Exhibitions
Still Here Tomorrow to High Five You Yesterday
Zeitz MOCAA
2018
Exhibitions
Also Known As Africa
Le Carreau du Temple
2018
Exhibitions
Throwing Shapes
SMITH Studio
2018
Exhibitions
nano 1.2
Barnard Gallery
2018
Exhibitions
Stop Stop Click
Eclectica Contemporary
2018
Exhibitions
Investec Cape Town Art Fair 2018
CTICC
2017
Exhibitions
Salad
SMITH Studio
2017
Exhibitions
SS17
Gallery MOMO
2017
Exhibitions
Celeste Prize 2017, 9th edition by Fatoş Üstek
OXO Tower Wharf
2017
Exhibitions
Turbine Art Fair
Turbine Hall
2017
Exhibitions
Be Kind, Please Rewind
Gallery MOMO
2017
Exhibitions
Marked
Eclectica Print Gallery
2017
Exhibitions
Paradise Regained
Eclectica Contemporary
2016
Exhibitions
Meditative Moments
Müllers Gallery
2016
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By Way of Hand
Cape Town School of Photography
2016
Exhibitions
Focus
Jan Royce Gallery
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kyusanglee Information
Index:
All Works Exhibitions Press News Texts
Art Rotterdam
Exhibitions
2020
Rotterdam


Art Rotterdam
6 - 9 February 2020
Van Nellefabriek, Rotterdam.

During Art Rotterdam 2020, Nuweland proudly presents a group exhibition showcasing Morné Visagie (ZA, 1989), Nabeeha Mohamed (ZA, 1988), Ben Orkin (ZA, 1998), Banele Khoza (SZ, 1994) and Kyu Sang Lee (KR, 1993). The artists mentioned are all living in Cape Town, South Africa.

The selection of artists and artworks visually investigates colour, line, shape and form. Through various mediums, the presented artists and their works highlights a conversation between themes of luxury, misfortune and inequality. These notions stems from a personal experience and historical knowledge of discrimination and privilege in terms of race, culture, sexuality, wealth and class.

In 1996, two years after the end of Apartheid, the new South African Constitution illegalised discrimination based on race, colour and sexual orientation. Now, 25 years later, people live in a constitutionally free society, if not always free in practice. The artists’ intentions are not to be activists of the country’s current social state, but rather to explore these ideas within their work, acknowledging their place within the country.

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