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11:11
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2020
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Eclectica Contemporary
2018
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2017
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Eclectica Contemporary
2016
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2016
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2016
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Contact
Phone(De) : +49 176 43229331
Email : kyusang.q.lee@gmail.com
Instagram : kyusanglee_
Phone(Kr) : +82 10 3895 0550
11:11
Exhibitions
2021
Eclectica Contemporary

11:11
4 February - 29 April 2021
Eclectica Contemporary, Cape Town.

As a new beginning is offered with the start of a new year, we remain impacted and by the challenges and triumphs of the year just past. At Eclectica Contemporary, we are proud to present a new exhibition format that marries contemporary art alongside notable contemporary African designers, ceramicists and creatives in conversation with the gallery’s collection of iconic mid-century modern and vintage furniture pieces. Titled 11:11, we present a group exhibition that is an open ended experimentation with contemporary design aesthetics, local creators and collaborators, the exhibition will continue for an extended period, with new pieces being included and rotated in the space continuously. Artworks shown alongside iconic furniture pieces and contemporary local design artefacts all draw inspiration from nature with an emphasis on sustainability.

Kyu Sang Lee’s photographic artistic practice draws on his experience within distinct regions and cultures of the world. Born in Seoul, Korea in 1993 and having moved to Cape Town in 2005, his artistic practice exhibits strong influences of Eastern, Western and African cultures. While completing his degree in Fine Art at Michaela’s School of Fine Art (University of Cape Town) he was awarded the Cecil Skotnes Award for Most Promising Artist. Kyu Sang Lee was also awarded the Simon Gerson Prize in 2016 for his graduating body of work as well as the Celeste Prize for Photography & Digital Graphics in 2017. Kyu Sang Lee’s knowledge of Music, Art, History and world issues is extensive and strongly influences his artmaking process. Working in predominantly black and white photography and more recently mixed media installation, He presents an interesting juxtaposition to ideas of the “lost”, driven by the concept of time and fate. Interlocking these notions with photography and sound, he focuses on constructing the realm of the metaphysical, the spiritual and the surreal. – Clare Patrick

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